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"value" => "<p>Emphasized reiteration of a word, phrase, or even syllable. Repetition involves a slowing down, a stopping, or a stand-still of speech, but it also arouses the listener’s interest and produces numerous poetic and rhetorical effects.</p>\r\n ◀<p>Emphasized reiteration of a word, phrase, or even syllable. Repetition involves a slowing down, a stopping, or a stand-still of speech, but it also arouses t ▶"
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"value" => "<p>Réitération appuyée d'une locution, d'un mot, voire d'une syllabe. La répétition marque un ralentissement, un arrêt ou un sur-place de la parole, mais elle suscite aussi une attention accrue de l'auditeur et génère de nombreux effets rhétoriques et poétiques.</p>\r\n ◀<p>Réitération appuyée d'une locution, d'un mot, voire d'une syllabe. La répétition marque un ralentissement, un arrêt ou un sur-place de la parole, mais elle s ▶"
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<p><strong>Repetition | Emphasized reiteration of a word, phrase, or even syllable. Repetition involves a slowing down, a stopping, or a stand-still of speech, but it also arouses the listener’s interest and produces numerous poetic and rhetorical effects.</strong></p>\r\n ◀<p><strong>Repetition | Emphasized reiteration of a word, phrase, or even syllable. Repetition involves a slowing down, a stopping, or a stand-still of speech, ▶
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<p>There are different ways of using repetition as a tool in speech, depending on which utterances are available to a speaker in a given situation and the ways they can find to vary them. There are two main forms of repetition: suspension, which takes place when an element temporarily loops itself within a larger utterance, and refrains, where the utterance’s entire structure is looped.</p>\r\n ◀<p>There are different ways of using repetition as a tool in speech, depending on which utterances are available to a speaker in a given situation and the ways ▶
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<p>Let us begin with <a href="extase">an announcement made on Radio London during World War II</a>. Here, the message is reduced to a repeated phrase: it is precisely the act of repeating the utterance (stressed by “twice we say”) that lets us know it is a coded message.</p>\r\n ◀<p>Let us begin with <a href="extase">an announcement made on Radio London during World War II</a>. Here, the message is reduced to a repeated phrase: it is pre ▶
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<h4 class="inter-titre">Suspension</h4>\r\n
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<p>On a radio show, one can hear researcher <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="d850c494-00cf-4384-8ffc-1fcbb3f3c332" href="/node/9762">Bruno Karsenti’s diction stumble on certain utterances</a>, producing the stuttering repetition of a residual “uh.” This bouncing around creates light pauses in the flow of his speech. Another temporality takes shape, changing the listener’s focus.</p>\r\n ◀<p>On a radio show, one can hear researcher <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="d850c494-00cf-4384-8ffc-1fcbb3f3c3 ▶
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<p>Indeed, the repetition of a word, syllable, or phrase can lead to a different form of understanding that becomes increasingly complex over the course of each repetition: thus, as<a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="e5864878-2199-4cca-abe3-37667ce9add3" href="/node/9753"> Charles Bukowski</a> repeats the utterance “green trees,” it progressively loses its color: “OK, what you gonna do with it?”</p>\r\n ◀<p>Indeed, the repetition of a word, syllable, or phrase can lead to a different form of understanding that becomes increasingly complex over the course of each ▶
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<p>Whether used as a poetic device or an insistent example, repetition also functions as an argument for maintaining a speaker’s authority in a given situation. This can be heard in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="a29295da-a1ab-4ed0-ba16-ccebd1f53780" href="/node/9760">a repetition made by Igor Stravinsky</a>, or in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="b598f22b-509a-4372-a8f8-32e221d749e5" href="/node/9542">this interview that feels something like an interrogation</a>.</p>\r\n ◀<p>Whether used as a poetic device or an insistent example, repetition also functions as an argument for maintaining a speaker’s authority in a given situation. ▶
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<p>Contrary to the special case of the Radio London announcement cited above, a repetition’s existence is often linked to the variations a speaker imprints upon it. Whether with <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="992bcb83-933e-48ba-a1fa-8a28f9ab4871" href="/node/9694">Senator Robert Byrd</a> condemning dog fighting or <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="190d1782-89c4-4ad0-b745-e3acb79eeb9b" href="/node/10347">filmmaker Jean-Marie Straub</a> in discussion after a projection, emotion—real or faked—is concentrated into a limited group of words that speakers give resonance to by varying tone, intensity, and address. Spacing and overemphasis are combined when <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="bc43cf87-0459-438b-b3af-61799969357a" href="/node/10194">Nicolaz Ceauşescu’s speech</a>, interrupted by a surging crowd, is reduced to an “<i>Alo!</i>” (“Calm down!”), first repeated as an order then as a plea to his angry people. In <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="c97c2904-8163-4776-bc52-07e4dadfb7b2" href="/node/9746">a hypnosis recording for insomniacs</a>, the repetition of an utterance also implies the repetition of a form of silence with various characteristics.</p>\r\n ◀<p>Contrary to the special case of the Radio London announcement cited above, a repetition’s existence is often linked to the variations a speaker imprints upon ▶
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<p>Speech is often suspended because it is indexed to an external activity. But although repetition gives <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="612acf0b-c0b8-44f3-a1f8-bd96d68c6ce8" href="/node/10248">this auction</a> its momentum back, suspension is more often a means of continuing or accentuating the course of things, as it does in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="3cb83f66-b6ea-41ce-b89a-7e809b39731e" href="/node/9643">this birth</a> or in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="fa16d00c-ed2d-4d76-8fda-13db89b44477" href="/node/9750">this majorette training session</a>, or as shown by <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="d485a351-b888-4a84-97fc-6c1c0de376dc" href="/node/9761">this pornographic actress</a>. Repetition varies according to the demands of the activity it is indexed to.</p>\r\n ◀<p>Speech is often suspended because it is indexed to an external activity. But although repetition gives <a data-entity-substitution="canonical" data-entity-ty ▶
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<h4 class="inter-titre">Resumption</h4>\r\n
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<p>This part of the collection contains cases that lie somewhere between suspension and refrains: through lexical exhaustion, repetition no longer functions as a temporary pause in the flux of speech, but makes up the very structure of its discourse. It is no longer a deviation but a situation builder within a given discourse’s routine.</p>\r\n ◀<p>This part of the collection contains cases that lie somewhere between suspension and refrains: through lexical exhaustion, repetition no longer functions as ▶
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<p>Learning situations function this way by repeating an utterance’s successive elements, as with the teacher himself in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="c811685a-18bf-4353-9042-2e9413fa6d14" href="/node/9597">this dictation</a>, or the teacher and student in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="2f5e3a1a-4dff-419c-bb4e-e23ded2bc690" href="/node/10403">this method for learning Russian</a>. In these speech situations, vocabulary is limited to a finite whole. It can take the form of information directed at users; it can be <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="572252ba-1aea-429b-81fa-99707f5de376" href="/node/9384">the name of the protagonists</a> in a love story; or it can be <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="0464bc91-a7e4-4222-847d-b2d51f7c8269" href="/node/9745">instructions given during gym class</a>, where utterances are combined randomly, just like the calls of <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="af2ba7dd-a911-4073-8c60-3c75fa940fac" href="/node/10357">this Turkish grinder</a>.</p>\r\n ◀<p>Learning situations function this way by repeating an utterance’s successive elements, as with the teacher himself in <a data-entity-substitution="canonical" ▶
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<h4 class="inter-titre">Refrains</h4>\r\n
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<p>In this example, the repetition of single utterances is combined with a number of variations and modifications, as in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="b48fa11e-861c-4b31-8728-12293663ae60" href="/node/9759">this excerpt from the film <i>The Pink Panther</i></a>.</p>\r\n ◀<p>In this example, the repetition of single utterances is combined with a number of variations and modifications, as in <a data-entity-substitution="canonical" ▶
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<p class="BodyA" style="border:medium none; margin:0cm 0cm 0.0001pt">Whether in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="b3df4c54-1272-4094-8a53-3bd1b8e8f69f" href="/node/9412">this recording of tongue twisters</a> or <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="1279d2ab-b771-47f5-9b8c-dafe1f036139" href="/node/9758">this score by Georges Aperghis</a>, the pattern that emerges from repetition highlights the formal properties of speech. An ordinary poetic gesture can lead to exhausting a phrase and its meaning, as in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="6b9dcc65-ffd4-4cee-9724-c2e2230fceda" href="/node/9749">this Joseph Beuys performance</a>, to accepting one’s sexual orientation, as in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="88dd6c76-d272-4009-a330-d80511911ed6" href="/node/9752">this scene from André Téchiné’s <i>Wild Reeds</i></a>, to <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="916d4a04-faaf-4367-8465-66219ac7fbf1" href="/node/9754">accompanying a parturient woman’s work</a>, or even to underscoring a political message, as in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="3242965d-c484-45c9-8597-7e2c4b90d6c9" href="/node/9547">this speech by an activist</a> during a radio show about the Gruss circus.</p>\r\n ◀<p class="BodyA" style="border:medium none; margin:0cm 0cm 0.0001pt">Whether in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid ▶
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<p>Repetition is also a particularly effective tool for group-building: the repetition of a slogan allows a choir of prisoners to take shape in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="5092a8d8-37eb-4fb7-989a-fdf289ce088e" href="/node/9659">this scene from Jim Jarmusch’s <i>Down by Law</i></a>. Other types of chorality built through repetition can be heard in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="e2688e2c-8c8c-4910-ae73-ffe2f4e0bcad" href="/node/10317">this praise to Allah</a>, or in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="fbc51602-be6a-432d-8c43-0909886575a1" href="/node/10291">this protest-like artistic performance</a>.</p>\r\n ◀<p>Repetition is also a particularly effective tool for group-building: the repetition of a slogan allows a choir of prisoners to take shape in <a data-entity-s ▶
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<p>As we saw in Nicolaz Ceauşescu’s address and in the<i> Pink Panther</i> excerpt, repeating an utterance allows one to clarify, or even modify, its meaning over the course of its repetition. Thus, in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="857da565-13e8-4f8c-8bda-070e770e39a0" href="/node/9747">this clip from <i>The Wire</i></a> and in this recording of <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="22e84057-c0c2-449c-b217-38565d429ec4" href="/node/9748">a woman speaking to a donkey</a>, only the words “fuck” and “sta” stand for the description of a murder and the driving of an animal, respectively.</p>\r\n ◀<p>As we saw in Nicolaz Ceauşescu’s address and in the<i> Pink Panther</i> excerpt, repeating an utterance allows one to clarify, or even modify, its meaning ov ▶
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<p>This collection also provides several excerpts of repetitions that modify or corrupt the repeated utterance that structures them. In <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="059b7d8d-1580-4c44-adbe-0aaa2fcaca80" href="/node/9751">this excerpt of an improvised Joaõ Fiadeiro performance</a>, the initial utterance is augmented by temporary additions, though this augmentation can also take place through accumulation, as it does in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="9d35d59c-1828-4636-b927-daf783b91e10" href="/node/9757">this Christophe Fiat reading</a>, or add itself to a series, as it does with <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="ad618055-9336-48cf-b37d-f541cfc8067c" href="/node/10220">this man reading a newspaper’s obituary notices</a>. In this example, <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="039923c1-8d8b-4d05-8361-c6fa6d58377c" href="/node/9434">the poet Jaap Blonk repeats an utterance</a>, increasingly compressing it until it is crushed into a succession of purely percussive consonants.</p>\r\n ◀<p>This collection also provides several excerpts of repetitions that modify or corrupt the repeated utterance that structures them. In <a data-entity-substitut ▶
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<p><strong>\u{FEFF}Répétition | Réitération appuyée d'une locution, d'un mot, voire d'une syllabe. La répétition marque un ralentissement, un arrêt ou un sur-place de la parole, mais elle suscite aussi une attention accrue de l'auditeur et génère de nombreux effets rhétoriques et poétiques.</strong></p>\r\n ◀<p><strong>\u{FEFF}Répétition | Réitération appuyée d'une locution, d'un mot, voire d'une syllabe. La répétition marque un ralentissement, un arrêt ou un ▶
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<p>La collection aborde différentes manières de faire de la répétition un outil de parole, selon le stock d'énoncés dont le locuteur dispose dans une situation et les variations qu'il peut y associer. Elle va se déployer entre deux pôles : la suspension, lorsqu'un élément se boucle temporairement dans un énoncé plus large, et la ritournelle, pour laquelle la structure entière de l'énoncé est une boucle.</p>\r\n ◀<p>La collection aborde différentes manières de faire de la répétition un outil de parole, selon le stock d'énoncés dont le locuteur dispose dans une situation ▶
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<p>Commençons avec une <a href="/node/9742" title="Extase">annonce faite sur Radio Londres pendant la Seconde Guerre mondiale</a>. Le message est ici réduit à une phrase répétée à l'identique : c'est précisément la répétition de l'énoncé (appuyée d'un "<em>nous disons deux fois</em>") qui le signale en tant que message codé.</p>\r\n ◀<p>Commençons avec une <a href="/node/9742" title="Extase">annonce faite sur Radio Londres pendant la Seconde Guerre mondiale</a>. Le message est ici réduit à u ▶
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<h4 class="inter-titre"><em>Suspensions</em></h4>\r\n
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<p>Dans une émission de radio, la <a href="/node/9762" title="Suivre le mouvement des associations">diction du chercheur Bruno Karsenti</a> bute parfois sur certains énoncés, produisant la répétition bégayante d'un "<em>euh</em>" résiduel. Ce cahotement introduit de légers arrêts dans le flux de la parole. Une autre temporalité émerge, qui entraîne un changement d'attention chez l'auditeur. </p>\r\n ◀<p>Dans une émission de radio, la <a href="/node/9762" title="Suivre le mouvement des associations">diction du chercheur Bruno Karsenti</a> bute parfois sur cer ▶
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<p>La répétition d'une syllabe, d'un mot ou d'une phrase induit en effet une compréhension différente, qui peut se complexifier au fur et à mesure des répétitions : ainsi l'énoncé "<em>green trees</em>", au fur et à mesure qu'il est <a href="/node/9753" title="Green trees">répété par Charles Bukowski</a>, se vide progressivement de sa couleur : "<em>OK, what you gonna do with it ?"</em></p>\r\n ◀<p>La répétition d'une syllabe, d'un mot ou d'une phrase induit en effet une compréhension différente, qui peut se complexifier au fur et à mesure des répétitio ▶
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<p>Expédient poétique ou exemple insistant, la répétition d'un énoncé fonctionne également comme un argument qui permet à un locuteur de garder l'autorité dans une situation : c'est ce qu'on peut entendre dans cette <a href="/node/9760" title="Fortissimo"><em>répétition </em>d'Igor Stravinsky</a>, ou dans cette <a href="/node/9542" title="C'est qui les porcs ?">interview aux allures d'interrogatoire</a>.</p>\r\n ◀<p>Expédient poétique ou exemple insistant, la répétition d'un énoncé fonctionne également comme un argument qui permet à un locuteur de garder l'autorité dans ▶
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<p>Contrairement au cas particulier de l'annonce de radio Londres déjà cité, la possibilité d'existence d'une répétition tient souvent aux variations qui vont lui être imprimées par le locuteur. Que ce soit chez <a href="/node/9694" title="Barbaric !">le sénateur Robert Bird</a> lorsqu'il dénonce des combats de chiens ou chez <a href="/node/10347" title="Pour personne au monde">le cinéaste Jean-Marie Straub</a> lors d'une discussion d'après projection, l'émotion, qu'elle soit feinte ou réelle, se concentre dans un ensemble limité de mots que les locuteurs font résonner en variant leur adresse, leur intensité, leur intonation. L'emphase se mêle d'<em>espacement</em> chez <a href="/node/10194" title="Alo !">Nicolaz Ceauşescu</a> lorsque son discours, interrompu par l'irruption de la foule, se réduit à un "<em>Alo !</em>" ("du calme !"), répété d'abord comme un ordre puis comme une supplique à son peuple en colère. Également reconnaissable dans ce <a href="/node/9746" title="Profond sommeil">disque d'hypnose pour insomniaques</a>, la répétition de l'énoncé est aussi la répétition d'un silence dont on entend diverses qualités.</p>\r\n ◀<p>Contrairement au cas particulier de l'annonce de radio Londres déjà cité, la possibilité d'existence d'une répétition tient souvent aux variations qui vont l ▶
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<p>La suspension d'une parole est souvent le fait d'une <em>indexation</em> à une activité extérieure. Mais alors que dans <a href="/node/10248">cette vente aux enchères</a> la répétition encourage la reprise d'un mouvement, lors de <a href="/node/9643">cet accouchement</a> ou de <a href="/node/9750">cet entraînement de majorettes</a>, c'est plutôt une manière de poursuivre ou d'accentuer le cours de l'action, comme le fait entendre <a href="/node/9761">cette actrice pornographique</a>. La répétition varie en sympathie avec le travail que demande l'activité à laquelle elle est <em>indexée</em>.</p>\r\n ◀<p>La suspension d'une parole est souvent le fait d'une <em>indexation</em> à une activité extérieure. Mais alors que dans <a href="/node/10248">cette vente aux ▶
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<h4 class="inter-titre"><em>Reprises</em></h4>\r\n
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<p>Cette partie de la collection présente des cas situés entre la suspension et la ritournelle : à force d'épuisement lexical, la répétition ne fonctionne plus comme un arrêt temporaire dans le flux de la parole, elle constitue la structure même du discours. Elle n'est plus un écart dans la routine d'un discours, elle construit des situations.</p>\r\n ◀<p>Cette partie de la collection présente des cas situés entre la suspension et la ritournelle : à force d'épuisement lexical, la répétition ne fonctionne ▶
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<p>Les situations d'apprentissage fonctionnent ainsi par la répétition d'éléments successifs d'un énoncé, que ce soit par le maître lui-même comme dans <a href="/node/9597">cette dictée</a> ou par le maître et l'élève dans <a href="/node/9743">cette méthode d'apprentissage du russe</a>. <span style="font-size:12.0pt"><span style="font-family:Cambria">Ce peut être une information en direction d’usagers, mais également <a href="/node/9384">le prénom des protagonistes</a> d'une intrigue amoureuse ou <a href="/node/9745">des instructions données lors d'un cours de gym</a> dont les énoncés se combinent aléatoirement, tout comme <a href="/node/10357">les appels de ce rémouleur turc</a>.</span></span></p>\r\n ◀<p>Les situations d'apprentissage fonctionnent ainsi par la répétition d'éléments successifs d'un énoncé, que ce soit par le maître lui-même comme dans <a href= ▶
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<h4 class="inter-titre"><em>Ritournelles</em></h4>\r\n
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<p>Ici nous écouterons la répétition d'énoncés uniques auxquels viennent s'agréger de nombreuses variations et modifications comme dans <a href="/node/9759">cet extrait du film <em>La Panthère Rose</em></a>.</p>\r\n ◀<p>Ici nous écouterons la répétition d'énoncés uniques auxquels viennent s'agréger de nombreuses variations et modifications comme dans <a href="/node/9759">cet ▶
\r\n
<p>Que ce soit dans <a href="/node/9412">cet enregistrement de tongue twisters</a>, ou dans <a href="/node/9758">cette partition de Georges Aperghis</a>, le motif qui se dégage de la répétition met au premier plan la forme de la parole. C'est une opération poétique ordinaire qui peut avoir pour effet d'épuiser une locution et son sens comme dans <a href="/node/9749">cette performance de Joseph Beuys</a>, d'accepter son orientation sexuelle, comme dans <a href="/node/9752">cette scène du film <em>Les Roseaux Sauvages</em></a> d'André Téchiné, d'<a href="/node/9754">accompagner le travail d'une parturiente</a>, ou encore d'asséner un message politique, comme dans <a href="/node/9547">l'intervention d'une militante</a> lors d'une émission sur le cirque Gruss.</p>\r\n ◀<p>Que ce soit dans <a href="/node/9412">cet enregistrement de tongue twisters</a>, ou dans <a href="/node/9758">cette partition de Georges Aperghis</a>, le mot ▶
\r\n
<p>La répétition est également un outil particulièrement efficace pour construire un groupe : c'est par la répétition d'un slogan que se constitue un chœur de prisonniers dans <a href="/node/9659">cette scène du film <em>Dawn by Law</em></a> de Jim Jarmusch. On peut entendre d'autres formes de <em>choralité</em> par répétition dans <a href="/node/10317">ces louanges à Allah</a> ou dans <a href="/node/10291">cette intervention artistique</a> aux allures de manifestation.</p>\r\n ◀<p>La répétition est également un outil particulièrement efficace pour construire un groupe : c'est par la répétition d'un slogan que se constitue un chœur de p ▶
\r\n
<p>Comme nous avons pu également l'entendre dans l'allocution de Nicolaz Ceauşescu et dans l'extrait de <em>La Panthère Rose</em>, la répétition d'un même énoncé a aussi pour fonction de préciser, voire de modifier le sens de cet énoncé au fur et à mesure qu'il est répété. Ainsi, dans <a href="/node/9747">cette séquence tirée de la série <em>The Wire</em></a> et cet enregistrement d'<a href="/node/9748">une femme parlant à un âne</a>, les seuls mots "<em>fuck</em>" et "<em>sta</em>" tiennent lieu, respectivement, de description de la scène d'un meurtre et de conduite d'un animal.</p>\r\n ◀<p>Comme nous avons pu également l'entendre dans l'allocution de Nicolaz Ceauşescu et dans l'extrait de <em>La Panthère Rose</em>, la répétition d'un ▶
\r\n
<p>La collection se ferme sur plusieurs extraits qui, structurés par la répétition d'un énoncé, vont le modifier. Dans cet extrait d'<a href="/node/9751">une performance improvisée</a> de Joaõ Fiadeiro, l'énoncé initial va s'augmenter d'ajouts temporaires, mais cette augmentation peut aussi se réaliser par accumulation comme dans <a href="/node/9757">cette lecture de Christophe Fiat</a>, ou se combiner à une série comme chez <a href="/node/10220">cet homme lisant la rubrique <em>Nécrologie</em> d'un quotidien</a>.</p>\r\n ◀<p>La collection se ferme sur plusieurs extraits qui, structurés par la répétition d'un énoncé, vont le modifier. Dans cet extrait d'<a href="/node/9751">une pe ▶
\r\n
<p>De son côté, le poète <a href="/node/9434">Jaap Blonk répète un même énoncé</a> ("<em>Der Minister bedauert derartige Aüsserungen</em>"), le <em>compressant</em> de plus en plus, jusqu'à le concasser en une suite de contoïdes purement percussifs.</p>\r\n ◀<p>De son côté, le poète <a href="/node/9434">Jaap Blonk répète un même énoncé</a> ("<em>Der Minister bedauert derartige Aüsserungen</em>"), le <em>compres ▶
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#string: "A flag indicating whether this was a default revision when it was saved."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"storage_required" => true
"internal" => true
"translatable" => false
"revisionable" => true
"provider" => "taxonomy"
"field_name" => "revision_default"
"entity_type" => "taxonomy_term"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1240 ▶
#definition: array:2 [▶
"type" => "field_item:boolean"
"settings" => array:2 [▶
"on_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1241 ▶
#string: "On"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"off_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1242 ▶
#string: "Off"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
]
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1237}
}
#type: "boolean"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"revision_translation_affected" => Drupal\Core\Field\BaseFieldDefinition {#1243 ▶
#definition: array:9 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1244 ▶
#string: "Revision translation affected"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1245 ▶
#string: "Indicates if the last edit of a translation belongs to current revision."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"read-only" => true
"revisionable" => true
"translatable" => true
"provider" => "taxonomy"
"field_name" => "revision_translation_affected"
"entity_type" => "taxonomy_term"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1246 ▶
#definition: array:2 [▶
"type" => "field_item:boolean"
"settings" => array:2 [▶
"on_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1247 ▶
#string: "On"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"off_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1248 ▶
#string: "Off"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
]
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1243}
}
#type: "boolean"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"metatag" => Drupal\Core\Field\BaseFieldDefinition {#1249 ▶
#definition: array:10 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1250 ▶
#string: "Metatags (Hidden field for JSON support)"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1251 ▶
#string: "The computed meta tags for the entity."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"computed" => true
"translatable" => true
"read-only" => true
"entity_type" => "taxonomy_term"
"cardinality" => -1
"provider" => "metatag"
"field_name" => "metatag"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1252 ▶
#definition: array:2 [▶
"type" => "field_item:metatag_computed"
"settings" => []
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1249}
}
#type: "metatag_computed"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"path" => Drupal\Core\Field\Entity\BaseFieldOverride {#1281 ▶
#entityTypeId: "base_field_override"
#enforceIsNew: null
#typedData: null
#cacheContexts: array:2 [▶
0 => "url.site"
1 => "languages:language_interface"
]
#cacheTags: []
#cacheMaxAge: -1
#_serviceIds: []
#_entityStorages: []
#originalId: "taxonomy_term.entrees.path"
#status: true
#uuid: "ad1042f1-dcec-47c3-8992-724bfb598beb"
-isUninstalling: false
#langcode: "fr"
#third_party_settings: []
#_core: []
#trustedData: false
#dependencies: array:2 [▶
"config" => array:1 [▶
0 => "taxonomy.vocabulary.entrees"
]
"module" => array:1 [▶
0 => "path"
]
]
#isSyncing: false
#id: "taxonomy_term.entrees.path"
#field_name: "path"
#field_type: "path"
#entity_type: "taxonomy_term"
#bundle: "entrees"
#label: "Alias d'URL"
#description: ""
#settings: []
#required: false
#translatable: false
#default_value: []
#default_value_callback: ""
#fieldStorage: null
#itemDefinition: null
#constraints: []
#propertyConstraints: []
#baseFieldDefinition: null
+original: ? Drupal\Core\Field\Entity\BaseFieldOverride
}
"content_translation_source" => Drupal\Core\Field\BaseFieldDefinition {#1256 ▶
#definition: array:10 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1257 ▶
#string: "Translation source"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1258 ▶
#string: "The source language from which this translation was created."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"default_value" => array:1 [▶
0 => array:1 [▶
"value" => "und"
]
]
"initial_value" => array:1 [▶
0 => array:1 [▶
"value" => "und"
]
]
"revisionable" => true
"translatable" => true
"provider" => "content_translation"
"field_name" => "content_translation_source"
"entity_type" => "taxonomy_term"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1259 ▶
#definition: array:2 [▶
"type" => "field_item:language"
"settings" => []
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1256}
}
#type: "language"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"content_translation_outdated" => Drupal\Core\Field\BaseFieldDefinition {#1260 ▶
#definition: array:10 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1261 ▶
#string: "Translation outdated"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1262 ▶
#string: "A boolean indicating whether this translation needs to be updated."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"default_value" => array:1 [▶
0 => array:1 [▶
"value" => false
]
]
"initial_value" => array:1 [▶
0 => array:1 [▶
"value" => false
]
]
"revisionable" => true
"translatable" => true
"provider" => "content_translation"
"field_name" => "content_translation_outdated"
"entity_type" => "taxonomy_term"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1263 ▶
#definition: array:2 [▶
"type" => "field_item:boolean"
"settings" => array:2 [▶
"on_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1264 ▶
#string: "On"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"off_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1265 ▶
#string: "Off"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
]
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1260}
}
#type: "boolean"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"content_translation_uid" => Drupal\Core\Field\BaseFieldDefinition {#1266 ▶
#definition: array:9 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1267 ▶
#string: "Translation author"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1268 ▶
#string: "The author of this translation."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"revisionable" => true
"default_value_callback" => "Drupal\taxonomy\TermTranslationHandler::getDefaultOwnerId"
"translatable" => true
"provider" => "content_translation"
"field_name" => "content_translation_uid"
"entity_type" => "taxonomy_term"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1269 ▶
#definition: array:2 [▶
"type" => "field_item:entity_reference"
"settings" => array:3 [▶
"target_type" => "user"
"handler" => "default"
"handler_settings" => []
]
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1266}
}
#type: "entity_reference"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"content_translation_created" => Drupal\Core\Field\BaseFieldDefinition {#1270 ▶
#definition: array:8 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1271 ▶
#string: "Translation created time"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1272 ▶
#string: "The Unix timestamp when the translation was created."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"revisionable" => true
"translatable" => true
"provider" => "content_translation"
"field_name" => "content_translation_created"
"entity_type" => "taxonomy_term"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1273 ▶
#definition: array:2 [▶
"type" => "field_item:created"
"settings" => []
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1270}
}
#type: "created"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"field_notice" => Drupal\field\Entity\FieldConfig {#1282 ▶
#entityTypeId: "field_config"
#enforceIsNew: null
#typedData: null
#cacheContexts: array:2 [▶
0 => "url.site"
1 => "languages:language_interface"
]
#cacheTags: []
#cacheMaxAge: -1
#_serviceIds: []
#_entityStorages: []
#originalId: "taxonomy_term.entrees.field_notice"
#status: true
#uuid: "1c4e5658-bc6e-4713-95c8-1f05a3b37dcb"
-isUninstalling: false
#langcode: "fr"
#third_party_settings: []
#_core: []
#trustedData: false
#dependencies: array:2 [▶
"config" => array:2 [▶
0 => "field.storage.taxonomy_term.field_notice"
1 => "taxonomy.vocabulary.entrees"
]
"module" => array:1 [▶
0 => "text"
]
]
#isSyncing: false
#id: "taxonomy_term.entrees.field_notice"
#field_name: "field_notice"
#field_type: "text_long"
#entity_type: "taxonomy_term"
#bundle: "entrees"
#label: "Notice"
#description: ""
#settings: []
#required: false
#translatable: true
#default_value: []
#default_value_callback: ""
#fieldStorage: null
#itemDefinition: null
#constraints: []
#propertyConstraints: []
#deleted: false
+original: ? Drupal\field\Entity\FieldConfig
}
"field_workflow" => Drupal\field\Entity\FieldConfig {#1283 ▶
#entityTypeId: "field_config"
#enforceIsNew: null
#typedData: null
#cacheContexts: array:2 [▶
0 => "url.site"
1 => "languages:language_interface"
]
#cacheTags: []
#cacheMaxAge: -1
#_serviceIds: []
#_entityStorages: []
#originalId: "taxonomy_term.entrees.field_workflow"
#status: true
#uuid: "e0dc8009-88cd-48a6-9333-ab4666478b8f"
-isUninstalling: false
#langcode: "fr"
#third_party_settings: []
#_core: []
#trustedData: false
#dependencies: array:2 [▶
"config" => array:2 [▶
0 => "field.storage.taxonomy_term.field_workflow"
1 => "taxonomy.vocabulary.entrees"
]
"module" => array:1 [▶
0 => "workflow"
]
]
#isSyncing: false
#id: "taxonomy_term.entrees.field_workflow"
#field_name: "field_workflow"
#field_type: "workflow"
#entity_type: "taxonomy_term"
#bundle: "entrees"
#label: "Workflow"
#description: ""
#settings: []
#required: true
#translatable: false
#default_value: array:1 [▶
0 => []
]
#default_value_callback: ""
#fieldStorage: null
#itemDefinition: null
#constraints: []
#propertyConstraints: []
#deleted: false
+original: ? Drupal\field\Entity\FieldConfig
}
"field_color" => Drupal\field\Entity\FieldConfig {#1284 ▶
#entityTypeId: "field_config"
#enforceIsNew: null
#typedData: null
#cacheContexts: array:2 [▶
0 => "url.site"
1 => "languages:language_interface"
]
#cacheTags: []
#cacheMaxAge: -1
#_serviceIds: []
#_entityStorages: []
#originalId: "taxonomy_term.entrees.field_color"
#status: true
#uuid: "185764a3-7cbf-4de2-a7b1-aafab3624b20"
-isUninstalling: false
#langcode: "fr"
#third_party_settings: []
#_core: []
#trustedData: false
#dependencies: array:2 [▶
"config" => array:2 [▶
0 => "field.storage.taxonomy_term.field_color"
1 => "taxonomy.vocabulary.entrees"
]
"module" => array:1 [▶
0 => "color_field"
]
]
#isSyncing: false
#id: "taxonomy_term.entrees.field_color"
#field_name: "field_color"
#field_type: "color_field_type"
#entity_type: "taxonomy_term"
#bundle: "entrees"
#label: "Color"
#description: ""
#settings: array:1 [▶
"opacity" => 0
]
#required: true
#translatable: false
#default_value: []
#default_value_callback: ""
#fieldStorage: null
#itemDefinition: null
#constraints: []
#propertyConstraints: []
#deleted: false
+original: ? Drupal\field\Entity\FieldConfig
}
]
#languages: array:4 [▶
"fr" => Drupal\Core\Language\Language {#1103 ▶
#name: "French"
#id: "fr"
#direction: "ltr"
#weight: 0
#locked: false
}
"en" => Drupal\Core\Language\Language {#1102 ▶
#name: "English"
#id: "en"
#direction: "ltr"
#weight: 1
#locked: false
}
"und" => Drupal\Core\Language\Language {#1104 ▶
#name: "Not specified"
#id: "und"
#direction: "ltr"
#weight: 2
#locked: true
}
"zxx" => Drupal\Core\Language\Language {#1098 ▶
#name: "Not applicable"
#id: "zxx"
#direction: "ltr"
#weight: 3
#locked: true
}
]
#langcodeKey: "langcode"
#defaultLangcodeKey: "default_langcode"
#activeLangcode: "en"
#enforceDefaultTranslation: null
#defaultLangcode: "fr"
#translations: &28 array:2 [▶
"x-default" => array:2 [▶
"status" => 1
"entity" => Drupal\taxonomy\Entity\Term {#1095 ▶
#entityTypeId: "taxonomy_term"
#enforceIsNew: &2 null
#typedData: null
#cacheContexts: []
#cacheTags: []
#cacheMaxAge: -1
#_serviceIds: []
#_entityStorages: []
#values: &3 array:25 [▶]
#fields: &4 []
#fieldDefinitions: null
#languages: array:4 [▶
"fr" => Drupal\Core\Language\Language {#1103 ▶}
"en" => Drupal\Core\Language\Language {#1102 ▶}
"und" => Drupal\Core\Language\Language {#1104 ▶}
"zxx" => Drupal\Core\Language\Language {#1098 ▶}
]
#langcodeKey: "langcode"
#defaultLangcodeKey: "default_langcode"
#activeLangcode: "x-default"
#enforceDefaultTranslation: null
#defaultLangcode: "fr"
#translations: &28 array:2 […]
#translationInitialize: false
#newRevision: &29 false
#isDefaultRevision: &30 "1"
#entityKeys: &31 array:4 [▶
"bundle" => "entrees"
"id" => "128"
"revision" => "128"
"uuid" => "e89be2b4-0191-48ef-abfe-0b041d9d81ec"
]
#translatableEntityKeys: &32 array:5 [▶
"label" => array:2 [▶
"en" => "Repetition"
"x-default" => "Répétitions"
]
"langcode" => array:2 [▶
"x-default" => "fr"
"en" => "en"
]
"published" => array:2 [▶
"en" => "1"
"x-default" => "1"
]
"default_langcode" => array:2 [▶
"en" => "0"
"x-default" => "1"
]
"revision_translation_affected" => array:2 [▶
"en" => null
"x-default" => "1"
]
]
#validated: false
#validationRequired: false
#loadedRevisionId: &33 "128"
#revisionTranslationAffectedKey: "revision_translation_affected"
#enforceRevisionTranslationAffected: &34 []
#isSyncing: &35 false
}
]
"en" => array:2 [▶
"status" => 1
"entity" => Drupal\taxonomy\Entity\Term {#1100}
]
]
#translationInitialize: false
#newRevision: &29 false
#isDefaultRevision: &30 "1"
#entityKeys: &31 array:4 [▶]
#translatableEntityKeys: &32 array:5 [▶]
#validated: false
#validationRequired: false
#loadedRevisionId: &33 "128"
#revisionTranslationAffectedKey: "revision_translation_affected"
#enforceRevisionTranslationAffected: &34 []
#isSyncing: &35 false
}