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"value" => "<p>Occurs when one form of speech contaminates another. Affinity refers to ways of speaking, intonation, accents, or turns of phrase that are transmitted and propagated from one speaker to another.</p>\r\n ◀<p>Occurs when one form of speech contaminates another. Affinity refers to ways of speaking, intonation, accents, or turns of phrase that are transmitted and pr ▶"
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"value" => "<p>Phénomène de contamination d'une parole par une autre. La sympathie marque comment des manières de parler, des intonations, des accents ou des expressions se transmettent et se propagent d'un locuteur à un autre.</p>\r\n ◀<p>Phénomène de contamination d'une parole par une autre. La sympathie marque comment des manières de parler, des intonations, des accents ou des expressions se ▶"
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<p><strong>Affinity | Occurs when one form of speech contaminates another. Affinity refers to ways of speaking, intonation, accents, or turns of phrase that are transmitted and propagated from one speaker to another.</strong></p>\r\n ◀<p><strong>Affinity | Occurs when one form of speech contaminates another. Affinity refers to ways of speaking, intonation, accents, or turns of phrase that are ▶
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<p>The singularity of a person’s way of speaking is not only determined by the physical particularities of their voice. In terms as diverse as intonation, accentuation, rhythm, or even timbre, it is also modeled by the words of others, through which a person learns how to speak or modify their own speech.</p>\r\n ◀<p>The singularity of a person’s way of speaking is not only determined by the physical particularities of their voice. In terms as diverse as intonation, accen ▶
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<p>Affinity can be witnessed when the words of speaker A borrow characteristics from the speech of speaker B, whether said speaker is present or not. This last parameter (presence/absence) will allow us to distinguish between two categories of affinity: affinity in absentia and affinity in praesentia.</p>\r\n ◀<p>Affinity can be witnessed when the words of speaker A borrow characteristics from the speech of speaker B, whether said speaker is present or not. This last ▶
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<h4 class="inter-titre"><i>Affinity in absentia</i></h4>\r\n
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<p>Affinity in absentia takes place when speaker B is absent but still identifiable. Family influence or reinforced proximity are its most paradigmatic examples. <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="b2dd5c5b-c730-4513-a95b-678d94325b4b" href="/node/9785">Jean Sarkozy</a> and <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="6f6a34cf-7827-4d9d-815d-6073a49d1a48" href="/node/9786">Marine Le Pen</a> speak with the utmost fluency and in flagrant affinity with their respective fathers. Cases where affinity is the object of a game or a more or less conscious modification are very different, however: take actor <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="9ccc2141-5e48-4d81-86a6-6386fd343868" href="/node/9787">Éric Ruf’s </a><a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="9ccc2141-5e48-4d81-86a6-6386fd343868" href="/node/9787">theatre performance</a> reinterpreting a Michel Foucault interview, or <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="f8bde83f-cc8d-4a0a-a284-390026fb8ba0" href="/node/10279">an autistic person’s soliloquy</a> whose gibberish is inspired by the Général De Gaulle’s particular phrasing, for example. In other cases, affinity can be used as a cut or fold for giving life to an absent person’s words within a given discourse: such is the case with these imitations of <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="a8bd0e13-af70-4cb9-9283-2d24deaf2984" href="/node/10215">Antonin Artaud</a> and <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="7fd2dd79-ea0e-4901-be8e-30cf35ef95c1" href="/node/9788">Winston Churchill</a>.</p>\r\n ◀<p>Affinity in absentia takes place when speaker B is absent but still identifiable. Family influence or reinforced proximity are its most paradigmatic examples ▶
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<p>These cases imply that speaker B’s way of speaking is known beforehand by as many people as possible—in other words that B belongs to the category of “famous speakers.” But B can also be a fictional character, like the wolf and horn in the fable of <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="101d1971-5c92-4d80-a4c7-e3e3d1a633c3" href="/node/9473"><em>The Brave Little Goat of Monsieur Seguin</em> read by Fernandel</a>. In other cases, B could be a type or universal abstraction. The “guy who speaks like this” in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="183e94ee-9d6f-4ebe-b448-5bf8707661d6" href="/node/9789">a Dieudonné skit</a> can be compared to <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="f53e07de-1341-4b74-ae66-948e9c7fd35a" href="/node/9717">a young conservative politician parodying an opponent</a>, or to the contrast between distinguished and common language in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="958b2b91-6755-4ad3-8548-3faa76c9f93a" href="/node/10352">a cinematographic plea</a>.</p>\r\n ◀<p>These cases imply that speaker B’s way of speaking is known beforehand by as many people as possible—in other words that B belongs to the category of “famous ▶
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<h4 class="inter-titre"><i>Affinity in praesentia</i></h4>\r\n
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<p>Affinity in praesentia takes place when A and B are taking part in the same speech act—in which case contamination can be seen in action.</p>\r\n
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<p>Particularly visible examples of this process can be found in situations where simultaneous translation is taking place: as in this English-language <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="a2d2305c-6ba3-4101-b512-af97e888e9d0" href="/node/9791">sermon by David Ogan</a>, followed by its German translation by an interpreter, made with very similar forms of intonation. When <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="bfe1127e-7a2d-44eb-b7fc-8d58a1c166d3" href="/node/9891">Robert Wilson and Christopher Knowles</a> perform sound poetry, they jointly build tonal, rhythmic, and syntactic continuity into one flow. A very similar example can be found in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="c4a40214-9f57-4698-8e53-a957c9ba6eb0" href="/node/9794">the tonal curves of farmers’ speech</a>, shown in the film <em>Biquefarre</em> by Georges Rouquier: here, we see how a community’s closeness can reach all the way into its manner of speaking.</p>\r\n ◀<p>Particularly visible examples of this process can be found in situations where simultaneous translation is taking place: as in this English-language <a data- ▶
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<p>This form of affinity is very common in learning situations, whether it be the rehearsal of a Stravinsky lied or <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="17282afe-b73d-4e54-96cc-121594ac015f" href="/node/9792">a class at the Star Academy</a>, where a trainee singer modulates part of a Stevie Wonder song based on his teacher’s more confident performance of the piece (see also <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="a29295da-a1ab-4ed0-ba16-ccebd1f53780" href="/node/9760"><em>Fortissimo</em></a>). To get her daughter to recite the alphabet, <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="fcb7ee5d-2f30-4e17-a39f-6755ddb6bc66" href="/node/9892">this mother</a> uses a question and answer game where each player challenges the other to continue speaking at their rate (see also <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="71caa21d-d5b0-4ea7-88ea-56ed76975dcd" href="/node/9890"><i>Si! No!</i></a>). In this special case, <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="e0d41745-38c3-4f5e-89d1-897a7c542655" href="/node/9793">a dog is taught by his owner</a> to say “I love you” or “Eric Clapton”: affinity becomes a form of projection by B on A (B’s desire spoken by A). In <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="b48fa11e-861c-4b31-8728-12293663ae60" href="/node/9759">this comical scene from the film </a><a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="b48fa11e-861c-4b31-8728-12293663ae60" href="/node/9759"><i>The Pink Panther</i></a>, however, affinity takes shape in negative terms, through the repeated failure of the learning process.</p>\r\n ◀<p>This form of affinity is very common in learning situations, whether it be the rehearsal of a Stravinsky lied or <a data-entity-substitution="canonical" data ▶
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<p>Though less obvious at first glance, affinity can also happen during a conversation, almost inadvertently, giving us a good example of how porous certain ways of speaking can be. In its most minimal manifestation, affinity can even take the form of supporting someone: a continuous bass of saying “yes,” “hmm,” through which <a href="/node/9797">speaker B encourages speaker A</a> to keep producing their discourse.</p>\r\n ◀<p>Though less obvious at first glance, affinity can also happen during a conversation, almost inadvertently, giving us a good example of how porous certain way ▶
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<p>Here, two speakers take up <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="913585bf-7de2-42df-b1c1-9572a25b285a" href="/node/10333">the same </a><a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="913585bf-7de2-42df-b1c1-9572a25b285a" href="/node/10333">high-pitched intonation</a>; here, a lexical proposition is immediately recycled by an interlocutor (see <i><a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="c6d3cef4-0c21-4b4e-a996-02d2d37e0dbc" href="/node/9796">Chick, chick</a> </i>or<i> <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="1ed92f8e-2404-4f7f-b364-aa4da87dabff" href="/node/9798">Étrange étrange étrange</a></i>). Here as well, speakers occasionally talking simultaneously validate their words <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="fd334259-22c4-43ef-9475-0ae4f4eb5aae" href="/node/9861">through repetition or shared laughter</a>. In <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="8b4d344d-5043-40a9-bdc6-8755d5460565" href="/node/9795">this meeting of Alain Finkielkraut and Fabrice Lucchini</a>, the pair’s intellectual understanding reaches such a point that the latter’s famous exuberance visibly rubs off onto the former’s words. When asking Tom Waits about the guidelines he gives his band during rehearsals, television host <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="e84d58a0-44e2-4242-891b-55c8eb1fc1a4" href="/node/9894">Jimmy Fallon shows affinity</a> for both his guest’s answer, accentuating certain words in a similar manner, and for forms heard earlier and identified for the audience as being typical of the singer’s manner of speaking (the timbre of his voice, the incongruous nature of his statements).</p>\r\n ◀<p>Here, two speakers take up <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="913585bf-7de2-42df-b1c1-9572a25b285a" href="/nod ▶
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<p>Contamination can become playful through mimics or momentum, as in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="4a07f078-e811-41c3-a29d-ac7be1f814f0" href="/node/9893">this video game</a>, in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="82a17ea1-c351-4f37-b2b3-3100fb15eba4" href="/node/10234">this scene from the subway</a>, or in this excerpt from the film <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="128f1fe6-fa2d-451a-b76e-a115f1df05e0" href="/node/9895"><i>Je sais rien mais je dirai tout</i></a>.</p>\r\n ◀<p>Contamination can become playful through mimics or momentum, as in <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="4a07f078 ▶
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<p>In the case of a large group, the use of marks of affinity can lead to the construction of a complex form of polyphony (see <i><a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="11387e7d-0277-4050-921f-ff259ec95b56" href="/node/9531">Chauffe-eau</a> </i>or<i> <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="37ad4eaf-2269-4990-bf24-57a6f3cee07a" href="/node/9534">Le soufflé</a></i>). In <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="85cce0a3-3252-4964-b031-280364732d29" href="/node/9830">the entrance to an auditorium</a>, individuals are both united by a shared activity—waiting for the beginning of the show—and separate. Conversations are centered around their own topics of discussion (commenting on a friend, talking about previous shows, etc.) all while adjusting themselves, particularly through volume, to the hubbub taking shape around them.</p>\r\n ◀<p>In the case of a large group, the use of marks of affinity can lead to the construction of a complex form of polyphony (see <i><a data-entity-substitution="c ▶
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<p><strong>Sympathie | Phénomène de contamination d'une parole par une autre. La sympathie marque comment des manières de parler, des intonations, des accents ou des expressions se transmettent et se propagent d'un locuteur à un autre.</strong></p>\r\n ◀<p><strong>Sympathie | Phénomène de contamination d'une parole par une autre. La sympathie marque comment des manières de parler, des intonations, des accents o ▶
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<p>La singularité d'une façon de parler n'est pas déterminée uniquement par les particularités physiques de la voix : sur des plans aussi divers que l'intonation, l'accentuation, le rythme, voire le timbre, elles sont souvent modelées par des paroles autres, au contact desquelles on apprend à parler ou on modifie sa propre parole. </p>\r\n ◀<p>La singularité d'une façon de parler n'est pas déterminée uniquement par les particularités physiques de la voix : sur des plans aussi divers que l'intonatio ▶
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<p>Ce phénomène de <em>sympathie</em> se fait jour lorsque la parole d'un locuteur A emprunte des traits à celles d'un locuteur B, qu'il soit présent ou absent. Ce dernier paramètre (présence/absence) distinguera pour nous deux familles : la sympathie <em>in absentia</em> et la sympathie <em>in praesentia</em>.</p>\r\n ◀<p>Ce phénomène de <em>sympathie</em> se fait jour lorsque la parole d'un locuteur A emprunte des traits à celles d'un locuteur B, qu'il soit présent ▶
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<h4 class="inter-titre"><em>Sympathie in absentia</em></h4>\r\n
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<p>Il y a sympathie <em>in absentia</em> lorsque le locuteur B est absent, mais néanmoins reconnaissable. L'influence par filiation ou proximité renforcée en est le paradigme : <a href="/node/9785" title="Sarkozy, père et fils">Jean Sarkozy</a> et <a href="/node/9786" title="Le Pen, père et fille">Marine Le Pen</a> s'expriment le plus couramment du monde en sympathie flagrante avec leur père respectif. Très différents sont les cas où la sympathie fait l'objet d'un jeu ou d'une altération plus ou moins consciente : <a href="/node/9787" title="Foucault et Ruf">performance théâtrale du comédien Éric Ruf</a> réinterprétant un entretien de Michel Foucault, ou <a href="/node/10279" title="Je crois que j'ai cru">délire d'un autiste</a> transformant en charabia une imitation du Général de Gaulle. Ailleurs, la sympathie est mobilisée comme un pli ou une incise pour animer, à l'intérieur d'un discours, la parole de l'absent : ainsi ces <a href="/node/10215" title="Ce dieu, ce fils de pute">imitations d'Antonin Artaud</a> et de <a href="/node/9788" title="Orson et Winston">Winston Churchill</a>.</p>\r\n ◀<p>Il y a sympathie <em>in absentia</em> lorsque le locuteur B est absent, mais néanmoins reconnaissable. L'influence par filiation ou proximité renfo ▶
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<p>Ces cas ont pour réquisit implicite que le parler du locuteur B soit connu par avance du plus grand nombre – autrement dit que B appartienne à la classe des "parleurs célèbres". Mais B peut également être un personnage de fiction, tels le loup et la trompe dans la fable de <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="101d1971-5c92-4d80-a4c7-e3e3d1a633c3" href="/node/9473"><em>La chèvre de Monsieur Seguin</em> lue par Fernandel</a>. Ailleurs B pourra être un <em>type</em>, une universalité abstraite. Le "<em>mec qui parlait comme ça</em>" dans un <a href="/node/9789" title="Un mec qui parlait comme ça">sketch de Dieudonné</a> pourra faire écho à l’opposant caricaturé par un <a href="/node/9717" title="They didn't understand">jeune politicien conservateur</a> ou encore à la mise en opposition du parler bourgeois et de la langue vulgaire dans <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="958b2b91-6755-4ad3-8548-3faa76c9f93a" href="/node/10352">cette plaidoirie de cinéma</a>.</p>\r\n ◀<p>Ces cas ont pour réquisit implicite que le parler du locuteur B soit connu par avance du plus grand nombre – autrement dit que B appartienne à la classe des ▶
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<h4 class="inter-titre"><em>Sympathie in praesentia.</em></h4>\r\n
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<p>On dira qu'il y a sympathie <em>in praesentia</em> lorsque A et B sont impliqués dans le même acte de parole – alors la contamination devient sensible <em>en actes</em>.</p>\r\n ◀<p>On dira qu'il y a sympathie <em>in praesentia</em> lorsque A et B sont impliqués dans le même acte de parole – alors la contamination devient sensi ▶
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<p>On en trouve des occurrences particulièrement saillantes dans des situations de traduction simultanée, ainsi ce <a href="/node/9791" title="The wrong place for you">sermon de David Ogan</a>, en anglais puis en allemand chez l'interprète, avec des intonations très voisines. Lorsque <a href="/node/9891" title="The sundance kid is beautiful">Robert Wilson et Christopher Knowles</a> performent des poèmes sonores, ils forment conjointement une continuité rythmique, syntaxique, tonale, un même flux.\u{FEFF} Très proches également, ces courbes intonatives des <a href="/node/9794" title="C'est une bonne occasion">paroles paysannes mises en scène dans le film <em>Biquefarre</em></a> de Georges Rouquier : la sympathie est ici révélatrice d'une communauté fortement soudée, jusqu'à sa parlure.</p>\r\n ◀<p>On en trouve des occurrences particulièrement saillantes dans des situations de traduction simultanée, ainsi ce <a href="/node/9791" title="The wrong pl ▶
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<p>Cette forme de sympathie trouve son terrain d'élection dans des situations d'apprentissage, que ce soit un <a href="/node/9792" title="Very superstitious">cours de la <em>Star Academy</em></a>, où l'apprenti chanteur module tel segment d'une chanson de Stevie Wonder à partir de l'interprétation plus assurée de sa professeure (écouter aussi <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="a29295da-a1ab-4ed0-ba16-ccebd1f53780" href="/node/9760"><em>Fortissimo</em></a>). Pour amener sa fille à réciter l’alphabet\u{FEFF}, <a href="/node/9892" title="What comes after D?">cette maman</a> adopte un jeu de questions-réponses dans lequel chacune défie l'autre de poursuivre en adoptant sa cadence (écouter aussi <em><a href="/node/9890" title="Si! No!">Si ! No !</a></em>)\u{FEFF}<strong>.</strong>\u{FEFF} Cas particulier, ce <a href="/node/9793" title="Good boy !">chien</a> auquel sa maîtresse apprend à dire "<em>I love you</em>" ou "<em>Eric Clapton</em>" : la sympathie est alors affaire de projection de B sur A (le désir de B que A <em>parle</em>). Tandis que dans <a href="/node/9759">cette </a><a href="/node/4966" title="I would like to buy a hamburger">scène drolatique du film la </a><a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="b48fa11e-861c-4b31-8728-12293663ae60" href="/node/9759"><em>Panthère Rose</em></a>, la sympathie se révèle en négatif, par l'échec répété du processus d'apprentissage.</p>\r\n ◀<p>Cette forme de sympathie trouve son terrain d'élection dans des situations d'apprentissage, que ce soit un <a href="/node/9792" title="Very superstitiou ▶
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<p>Moins évidentes à première vue, les sympathies ayant lieu au cours d'une conversation, comme par inadvertance, sont révélatrices de la porosité ponctuelle des manières de parler. Sous sa forme minimale, la sympathie peut prendre la forme d'un soutien : une basse continue de "oui", "hmm", par lesquels <a href="/node/9797">un locuteur <span>B encourage A</span></a> \u{FEFF}à poursuivre son discours.\u{FEFF}</p>\r\n ◀<p>Moins évidentes à première vue, les sympathies ayant lieu au cours d'une conversation, comme par inadvertance, sont révélatrices de la porosité ponctuelle de ▶
\r\n
<p>Ici, les <a href="/node/10333" title="Mon p'tit piano">deux locutrices se mettent à l'unisson</a> sur une même intonation aigüe; là, une proposition lexicale est aussitôt recyclée (écouter <em><a href="/node/9796" title="Chick, chick">Chick chick</a></em>, <em><a href="/node/9798" title="Étrange, étrange, étrange">Étrange étrange étrange</a></em>)\u{FEFF}. Là encore, les locutrices parlant parfois simultanément <a href="/node/9861" title="Rezeption und Küche">valident leurs propos</a> par la répétition ou par un rire partagé\u{FEFF}\u{FEFF}. Dans cette <a href="/node/9795" title="Le côté tragique de La Fontaine">rencontre entre Alain Finkielkraut et Fabrice Lucchini</a>, l'accord intellectuel est tel que la célèbre exubérance du second déteint sensiblement sur la parole du premier. Le présentateur <a href="/node/9894" title="Play like a plumber in a leotard">Jimmy Fallon, interrogeant Tom Waits</a> <span>sur les consignes qu’il donne à ses musiciens en répétition, est sympathique à la fois de la réponse présente de son invité, en accentuant comme lui certains mots, et d'une parole entendue précédemment qu'il identifie pour le public comme typique du chanteur (timbre de voix, ton, incongruité des propos).</span>\u{FEFF}</p>\r\n ◀<p>Ici, les <a href="/node/10333" title="Mon p'tit piano">deux locutrices se mettent à l'unisson</a> sur une même intonation aigüe; là, une propositio ▶
\r\n
<p>La contamination peut devenir ludique par effet d'imitation ou d'entraînement, comme dans cette <a href="/node/9893" title="Jauuuuuuune">partie de jeu vidéo</a>, dans cette <a href="/node/10234" title="Donnez-moi un Y">scène de métro</a> ou dans cet extrait du film <em><a href="/node/9895" title="Mais vous parlez">Je sais rien mais je dirai tout</a></em>.</p>\r\n ◀<p>La contamination peut devenir ludique par effet d'imitation ou d'entraînement, comme dans cette <a href="/node/9893" title="Jauuuuuuune">partie de jeu vidéo< ▶
\r\n
<p>À l'échelle d'un groupe important, ce déploiement de marques sympathiques est à même de construire une polyphonie complexe (écouter <em><a href="/node/9531" title="Chauffe-eau">Chauffe-eau</a> </em>ou <em><a href="/node/9534" title="Le soufflé">Le soufflé</a>). </em>Dans <a href="/node/9830" title="Va y avoir du monde">une salle de spectacle</a>, à l’entrée du public, les individus sont à la fois unis par une activité commune - celle de l’attente du début - et séparés. Les conversations sont tournées vers leur objet propre (faire des commentaires sur un ami, raconter un spectacle précédent, etc.) et s’ajustent dans le même temps, par le volume en particulier, au brouhaha qui se forme.\u{FEFF}</p>\r\n ◀<p>À l'échelle d'un groupe important, ce déploiement de marques sympathiques est à même de construire une polyphonie complexe (écouter <em><a href="/node/9 ▶
<!--EndFragment-->
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#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1240 ▶
#definition: array:2 [▶
"type" => "field_item:boolean"
"settings" => array:2 [▶
"on_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1241 ▶
#string: "On"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"off_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1242 ▶
#string: "Off"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
]
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1237}
}
#type: "boolean"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"revision_translation_affected" => Drupal\Core\Field\BaseFieldDefinition {#1243 ▶
#definition: array:9 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1244 ▶
#string: "Revision translation affected"
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#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1245 ▶
#string: "Indicates if the last edit of a translation belongs to current revision."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
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"revisionable" => true
"translatable" => true
"provider" => "taxonomy"
"field_name" => "revision_translation_affected"
"entity_type" => "taxonomy_term"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1246 ▶
#definition: array:2 [▶
"type" => "field_item:boolean"
"settings" => array:2 [▶
"on_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1247 ▶
#string: "On"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"off_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1248 ▶
#string: "Off"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
]
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1243}
}
#type: "boolean"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"metatag" => Drupal\Core\Field\BaseFieldDefinition {#1249 ▶
#definition: array:10 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1250 ▶
#string: "Metatags (Hidden field for JSON support)"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1251 ▶
#string: "The computed meta tags for the entity."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"computed" => true
"translatable" => true
"read-only" => true
"entity_type" => "taxonomy_term"
"cardinality" => -1
"provider" => "metatag"
"field_name" => "metatag"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1252 ▶
#definition: array:2 [▶
"type" => "field_item:metatag_computed"
"settings" => []
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1249}
}
#type: "metatag_computed"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"path" => Drupal\Core\Field\Entity\BaseFieldOverride {#1281 ▶
#entityTypeId: "base_field_override"
#enforceIsNew: null
#typedData: null
#cacheContexts: array:2 [▶
0 => "url.site"
1 => "languages:language_interface"
]
#cacheTags: []
#cacheMaxAge: -1
#_serviceIds: []
#_entityStorages: []
#originalId: "taxonomy_term.entrees.path"
#status: true
#uuid: "ad1042f1-dcec-47c3-8992-724bfb598beb"
-isUninstalling: false
#langcode: "fr"
#third_party_settings: []
#_core: []
#trustedData: false
#dependencies: array:2 [▶
"config" => array:1 [▶
0 => "taxonomy.vocabulary.entrees"
]
"module" => array:1 [▶
0 => "path"
]
]
#isSyncing: false
#id: "taxonomy_term.entrees.path"
#field_name: "path"
#field_type: "path"
#entity_type: "taxonomy_term"
#bundle: "entrees"
#label: "Alias d'URL"
#description: ""
#settings: []
#required: false
#translatable: false
#default_value: []
#default_value_callback: ""
#fieldStorage: null
#itemDefinition: null
#constraints: []
#propertyConstraints: []
#baseFieldDefinition: null
+original: ? Drupal\Core\Field\Entity\BaseFieldOverride
}
"content_translation_source" => Drupal\Core\Field\BaseFieldDefinition {#1256 ▶
#definition: array:10 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1257 ▶
#string: "Translation source"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1258 ▶
#string: "The source language from which this translation was created."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"default_value" => array:1 [▶
0 => array:1 [▶
"value" => "und"
]
]
"initial_value" => array:1 [▶
0 => array:1 [▶
"value" => "und"
]
]
"revisionable" => true
"translatable" => true
"provider" => "content_translation"
"field_name" => "content_translation_source"
"entity_type" => "taxonomy_term"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1259 ▶
#definition: array:2 [▶
"type" => "field_item:language"
"settings" => []
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1256}
}
#type: "language"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"content_translation_outdated" => Drupal\Core\Field\BaseFieldDefinition {#1260 ▶
#definition: array:10 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1261 ▶
#string: "Translation outdated"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1262 ▶
#string: "A boolean indicating whether this translation needs to be updated."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"default_value" => array:1 [▶
0 => array:1 [▶
"value" => false
]
]
"initial_value" => array:1 [▶
0 => array:1 [▶
"value" => false
]
]
"revisionable" => true
"translatable" => true
"provider" => "content_translation"
"field_name" => "content_translation_outdated"
"entity_type" => "taxonomy_term"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1263 ▶
#definition: array:2 [▶
"type" => "field_item:boolean"
"settings" => array:2 [▶
"on_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1264 ▶
#string: "On"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"off_label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1265 ▶
#string: "Off"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
]
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1260}
}
#type: "boolean"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"content_translation_uid" => Drupal\Core\Field\BaseFieldDefinition {#1266 ▶
#definition: array:9 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1267 ▶
#string: "Translation author"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1268 ▶
#string: "The author of this translation."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"revisionable" => true
"default_value_callback" => "Drupal\taxonomy\TermTranslationHandler::getDefaultOwnerId"
"translatable" => true
"provider" => "content_translation"
"field_name" => "content_translation_uid"
"entity_type" => "taxonomy_term"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1269 ▶
#definition: array:2 [▶
"type" => "field_item:entity_reference"
"settings" => array:3 [▶
"target_type" => "user"
"handler" => "default"
"handler_settings" => []
]
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1266}
}
#type: "entity_reference"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"content_translation_created" => Drupal\Core\Field\BaseFieldDefinition {#1270 ▶
#definition: array:8 [▶
"label" => Drupal\Core\StringTranslation\TranslatableMarkup {#1271 ▶
#string: "Translation created time"
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"description" => Drupal\Core\StringTranslation\TranslatableMarkup {#1272 ▶
#string: "The Unix timestamp when the translation was created."
#arguments: []
#translatedMarkup: null
#options: []
#stringTranslation: null
}
"revisionable" => true
"translatable" => true
"provider" => "content_translation"
"field_name" => "content_translation_created"
"entity_type" => "taxonomy_term"
"bundle" => null
]
#typedDataManager: null
#itemDefinition: Drupal\Core\Field\TypedData\FieldItemDataDefinition {#1273 ▶
#definition: array:2 [▶
"type" => "field_item:created"
"settings" => []
]
#typedDataManager: null
#fieldDefinition: Drupal\Core\Field\BaseFieldDefinition {#1270}
}
#type: "created"
#propertyDefinitions: null
#schema: null
#indexes: []
}
"field_notice" => Drupal\field\Entity\FieldConfig {#1282 ▶
#entityTypeId: "field_config"
#enforceIsNew: null
#typedData: null
#cacheContexts: array:2 [▶
0 => "url.site"
1 => "languages:language_interface"
]
#cacheTags: []
#cacheMaxAge: -1
#_serviceIds: []
#_entityStorages: []
#originalId: "taxonomy_term.entrees.field_notice"
#status: true
#uuid: "1c4e5658-bc6e-4713-95c8-1f05a3b37dcb"
-isUninstalling: false
#langcode: "fr"
#third_party_settings: []
#_core: []
#trustedData: false
#dependencies: array:2 [▶
"config" => array:2 [▶
0 => "field.storage.taxonomy_term.field_notice"
1 => "taxonomy.vocabulary.entrees"
]
"module" => array:1 [▶
0 => "text"
]
]
#isSyncing: false
#id: "taxonomy_term.entrees.field_notice"
#field_name: "field_notice"
#field_type: "text_long"
#entity_type: "taxonomy_term"
#bundle: "entrees"
#label: "Notice"
#description: ""
#settings: []
#required: false
#translatable: true
#default_value: []
#default_value_callback: ""
#fieldStorage: null
#itemDefinition: null
#constraints: []
#propertyConstraints: []
#deleted: false
+original: ? Drupal\field\Entity\FieldConfig
}
"field_workflow" => Drupal\field\Entity\FieldConfig {#1283 ▶
#entityTypeId: "field_config"
#enforceIsNew: null
#typedData: null
#cacheContexts: array:2 [▶
0 => "url.site"
1 => "languages:language_interface"
]
#cacheTags: []
#cacheMaxAge: -1
#_serviceIds: []
#_entityStorages: []
#originalId: "taxonomy_term.entrees.field_workflow"
#status: true
#uuid: "e0dc8009-88cd-48a6-9333-ab4666478b8f"
-isUninstalling: false
#langcode: "fr"
#third_party_settings: []
#_core: []
#trustedData: false
#dependencies: array:2 [▶
"config" => array:2 [▶
0 => "field.storage.taxonomy_term.field_workflow"
1 => "taxonomy.vocabulary.entrees"
]
"module" => array:1 [▶
0 => "workflow"
]
]
#isSyncing: false
#id: "taxonomy_term.entrees.field_workflow"
#field_name: "field_workflow"
#field_type: "workflow"
#entity_type: "taxonomy_term"
#bundle: "entrees"
#label: "Workflow"
#description: ""
#settings: []
#required: true
#translatable: false
#default_value: array:1 [▶
0 => []
]
#default_value_callback: ""
#fieldStorage: null
#itemDefinition: null
#constraints: []
#propertyConstraints: []
#deleted: false
+original: ? Drupal\field\Entity\FieldConfig
}
"field_color" => Drupal\field\Entity\FieldConfig {#1284 ▶
#entityTypeId: "field_config"
#enforceIsNew: null
#typedData: null
#cacheContexts: array:2 [▶
0 => "url.site"
1 => "languages:language_interface"
]
#cacheTags: []
#cacheMaxAge: -1
#_serviceIds: []
#_entityStorages: []
#originalId: "taxonomy_term.entrees.field_color"
#status: true
#uuid: "185764a3-7cbf-4de2-a7b1-aafab3624b20"
-isUninstalling: false
#langcode: "fr"
#third_party_settings: []
#_core: []
#trustedData: false
#dependencies: array:2 [▶
"config" => array:2 [▶
0 => "field.storage.taxonomy_term.field_color"
1 => "taxonomy.vocabulary.entrees"
]
"module" => array:1 [▶
0 => "color_field"
]
]
#isSyncing: false
#id: "taxonomy_term.entrees.field_color"
#field_name: "field_color"
#field_type: "color_field_type"
#entity_type: "taxonomy_term"
#bundle: "entrees"
#label: "Color"
#description: ""
#settings: array:1 [▶
"opacity" => 0
]
#required: true
#translatable: false
#default_value: []
#default_value_callback: ""
#fieldStorage: null
#itemDefinition: null
#constraints: []
#propertyConstraints: []
#deleted: false
+original: ? Drupal\field\Entity\FieldConfig
}
]
#languages: array:4 [▶
"fr" => Drupal\Core\Language\Language {#1103 ▶
#name: "French"
#id: "fr"
#direction: "ltr"
#weight: 0
#locked: false
}
"en" => Drupal\Core\Language\Language {#1102 ▶
#name: "English"
#id: "en"
#direction: "ltr"
#weight: 1
#locked: false
}
"und" => Drupal\Core\Language\Language {#1104 ▶
#name: "Not specified"
#id: "und"
#direction: "ltr"
#weight: 2
#locked: true
}
"zxx" => Drupal\Core\Language\Language {#1098 ▶
#name: "Not applicable"
#id: "zxx"
#direction: "ltr"
#weight: 3
#locked: true
}
]
#langcodeKey: "langcode"
#defaultLangcodeKey: "default_langcode"
#activeLangcode: "en"
#enforceDefaultTranslation: null
#defaultLangcode: "fr"
#translations: &28 array:2 [▶
"x-default" => array:2 [▶
"status" => 1
"entity" => Drupal\taxonomy\Entity\Term {#1095 ▶
#entityTypeId: "taxonomy_term"
#enforceIsNew: &2 null
#typedData: null
#cacheContexts: []
#cacheTags: []
#cacheMaxAge: -1
#_serviceIds: []
#_entityStorages: []
#values: &3 array:25 [▶]
#fields: &4 []
#fieldDefinitions: null
#languages: array:4 [▶
"fr" => Drupal\Core\Language\Language {#1103 ▶}
"en" => Drupal\Core\Language\Language {#1102 ▶}
"und" => Drupal\Core\Language\Language {#1104 ▶}
"zxx" => Drupal\Core\Language\Language {#1098 ▶}
]
#langcodeKey: "langcode"
#defaultLangcodeKey: "default_langcode"
#activeLangcode: "x-default"
#enforceDefaultTranslation: null
#defaultLangcode: "fr"
#translations: &28 array:2 […]
#translationInitialize: false
#newRevision: &29 false
#isDefaultRevision: &30 "1"
#entityKeys: &31 array:4 [▶
"bundle" => "entrees"
"id" => "126"
"revision" => "126"
"uuid" => "57310868-2f63-496a-95e1-4c36d53db8cc"
]
#translatableEntityKeys: &32 array:5 [▶
"label" => array:2 [▶
"en" => "Affinity"
"x-default" => "Sympathies"
]
"langcode" => array:2 [▶
"x-default" => "fr"
"en" => "en"
]
"published" => array:2 [▶
"en" => "1"
"x-default" => "1"
]
"default_langcode" => array:2 [▶
"en" => "0"
"x-default" => "1"
]
"revision_translation_affected" => array:2 [▶
"en" => null
"x-default" => "1"
]
]
#validated: false
#validationRequired: false
#loadedRevisionId: &33 "126"
#revisionTranslationAffectedKey: "revision_translation_affected"
#enforceRevisionTranslationAffected: &34 []
#isSyncing: &35 false
}
]
"en" => array:2 [▶
"status" => 1
"entity" => Drupal\taxonomy\Entity\Term {#1100}
]
]
#translationInitialize: false
#newRevision: &29 false
#isDefaultRevision: &30 "1"
#entityKeys: &31 array:4 [▶]
#translatableEntityKeys: &32 array:5 [▶]
#validated: false
#validationRequired: false
#loadedRevisionId: &33 "126"
#revisionTranslationAffectedKey: "revision_translation_affected"
#enforceRevisionTranslationAffected: &34 []
#isSyncing: &35 false
}